Sunday, September 09, 2012

Wage theft in Philadelphia -- and elsewhere

 My write-up on two articles by Jake Blumgart on wage theft and low wage workers in Philadelphia appeared on Talking Union and Teamster Nation.



                                                                                 by Stuart Elliott

Talking Union contributor Jake Blumgart has written a couple of outstanding articles on low-wage workers and wage theft.  In an interesting cover story  on wage theft in Philadelphia’s City Paper. He portrays some victims of wage theft: an undocumented carpenter, a waitress forced to share tips with her manager, and a coffee shop worker who wasn’t paid overtime despite working every day for two weeks. He also places the problems of low wage workers in historical perspective with some surprising facts.

In the past, unionization was a strong option for workers who wanted to defend against employer abuses. During the 1950s, within the now theft-wracked restaurant industry, 25 percent of America’s waitresses were unionized. Today, just 1.5 percent of food-service workers are organized. There are few remaining unionized independent restaurants in greater Philadelphia: the stadium-adjacent McFadden’s, Hymie’s Deli in Lower Merion and the Pen and Pencil Club, for example. Now, organizers tend to focus their efforts on the industry’s biggest employers, like food-services provider Aramark.
Nontraditional worker organizations provide an alternative to unions, but in Philadelphia there are only two options: the Taxi Workers Alliance of Pennsylvania and the Restaurant Opportunities Center (ROC), which is barely a year old.

A recent report from the Progressive States Network gives Pennsylvania an F for its anti-wage theft efforts and shows why they are so inadequate.

They are alternatives, Blumgart notes.
The fact is, legislative models do exist. In recent years, Seattle and Miami passed anti-wage-theft ordinances, while Madison, the District of Columbia and San Francisco have bulked up enforcement. 
The wage-theft law passed in Florida’s Miami-Dade County in 2010 is one of the nation’s most compelling. It allows workers to contact the Department of Small Business Development with wage-theft complaints, and requires employers to answer those complaints with documentation. If the case cannot be settled, it goes to an administrative hearing. If the employer is found guilty, he or she must pay back the original wages and damages worth twice the original amount to the employee and administrative costs to the county.
In another article (“Want to Fight Poverty, Philly? Start at the Bottom, With the Low-Wage Jobs“) in the Next American City, Blumgart notes
Manufacturing isn’t intrinsically remunerative work: Workers, citizens and legislators faced challenges through the years to eventually turn those jobs into potential gateways to the middle class. 
Now that the economy has changed dramatically, these battles are being fought on new ground. Security guards in the office towers of Center City are organizing with the gargantuan Service Workers International Union, while their counterparts at the Art Museum and the University of Pennsylvania have formed an independent, locally based union.

South Africa in Crisis 1977

The August 2012 police shooting of approximately 34 striking miners has been widely compared to the 1960 Sharpeville massacre. It should also be compared to the 1976 Soweto uprising in which more than 170 youth were killed.  The Sharpeville massacre led to the banning of ANC and the Pan African Congress and their shift from passive to armed resistance.  Soweto was also a turning point.

I wrote the following article for New America, the paper of Social Democrats USA on the fallout a little more than a year later when the South African government instituted a severe political repression.  My last sentence was "Only a political miracle seems capable of reversing a political dynamic that is inevitable heading for confrontation and explosion." There was a miracle in 1990.  But it is now seems that the terms of the miracle and decisions since have had their own contradictions and that South Africa is entering a period of intense crisis.  I don't yet have a handle on all that is involved.

In the meantime, here is my 1977 take with some modern links added.

South Africa Lurches to The Precipice

by Stuart Elliott New America  Nov 1977 (?)

The most dramatic crackdown in two decades [a reference to the Sharpeville massacre] virtually forecloses the possibility of a peaceful resolution to South Africa's racial crisis. On October 19, the South African government banned black protest groups, closed down the leading black newspaper and arrested its editor, Percy Qoboza, and arrested at least fifty people and served an unknown number with banning orders, which bar them from political activities and curtail their freedoms for five years. Both urban black leaders, regarded as moderates, and white liberals were victims of the repression.

The Black ConsciousnessMovement, founded by Stephen Biko in 1969, which filled the gap left by the earlier banning of the African National Congress and the Pan-AfricanistCongress, was only one of many organizations to be banned. Also proscribed were non-political self-help organizations like Black Community Programs, a business-financed group which ran a network of medical clinics. The main targets of the crackdown, however, appear to be the organizations which are the political expression of urban blacks. Among the groups covered by the ban are the South African Students Movement, a high school group; the South African Students Organization, a university group ; and the Black People's Convention, an umbrella group that is the closest thing to a black political party. The Soweto Teachers Action Committee which coordinated the resignations of several hundred high school teachers last month in support of students who have boycotted classes for more than three months in demand for the upgrading of black education was also banned. Leaders of the  Committee of  Ten, an organization of black moderates, which was formed earlier in the year in an attempt to end the near-anarchy that prevailed in Soweto since last year's rioting, were also arrested. The action of the South African .government was a clear statement that : not only has no intention of ever allowing blacks to have a voice in a federal structure, but that it will not even permit blacks to organize for peaceful political change.

The South African government also struck at leading white liberals like those around the Christian Institute of Southern Africa, an ecumenical group noted for its authoritative reports on apartheid. Donald Woods, the white editor of the Daily Dispatch, was arrested as he was preparing to board a flight to New York. Invited to the United States by the American ambassador to South Africa, William G. Bowdler, Woods was to have met with Secretary of State Cyrus R. Vance, United Nations Ambassador Andrew Young, and possibly President Carter. Under banning, Woods is forbidden to work as a journalist or to write or speak for publication. In addition, he is restricted to East London in Cape Province, subject to a dusk-to-dawn curfew, and limited to meeting only one person at a time other than members of his own family. Just as the crackdown was a clear rebuke of Western opinion, the arrest of Woods was a challenge to the Carter administration's human rights policy and its opposition to apartheid. The South African action undoubtedly complicated the British-American effort to secure a peaceful transition to majority rule in Rhodesia as well.

The crackdown also marked an accelerating restriction of the political freedoms that have long been South Africa's selling point in asking for time and tolerance from the West. Not only was the World, the leading black newspaper and the second largest in all of South Africa, closed down, but its editor Percy Qoboza was detained without trial, a status that can be prolonged indefinitely by the government. Along with the arrest of Woods, this was clearly intended to warn other newspapers "not to abuse" the right of criticism. Threats against the press have become a regular feature of speeches by government leaders in recent weeks and it is widely expected that harsh measures controlling the press will be passed by the new Parliament in January.

The willingness to consider the need for change that existed among white South Africans for a brief interlude following the Soweto riots has been extinguished. With white liberals and moderates weak and disunited, the overwhelming majority of whites appear determined to retain their domination by increased repression and the abridgement of democracy, whatever the cost. The cost is likely to be high. Only a political miracle seems capable of reversing a political dynamic that is inevitable heading for confrontation and explosion.

Saturday, September 01, 2012

Blues on a Saturday: Taj Mahal "Bourgeois Blues"

On Labor Day weekend what better BoaS selection than Taj Mahal's 1991 performance of Ledbetter's "Bourgeois Blues." The instrumental backing of Taj's barreelhouse piano and mandolin may seem a little odd to modern ears. But the mandolin did make appearances on some early blues records and there was a vibrant black string band tradition, which was neglected by both commercial recording companies and folklorists.

Saturday, August 25, 2012

Blues on a Saturday: Allman Borthers Band

The Allman Brothers Band perfroms Elmore James' "The Sky is Crying" at on 12/3/2011 at the Orpheum Theater, Boston, MA.For some fans this is a controversial and inferior lineup with neither Duane Allman or Dickey Betts, the twin guitars who made the band's sound. To my ears, Warren Hayes and Derek Trucks play at a level barely below Duane and Dickey.

Friday, August 17, 2012

Saturday, July 28, 2012

Blues on a Saturday: Robert Cray "Smokin' Gun"

I've heard Robert Cray live several times. Once in Washington DC when he was first rising on the scene and several years ago in Wichita after he had become an established star of the blues. He gave great performances both times. As a star, howoever, his security people wouldn't let amateur photographers close to the stage.

Saturday, July 21, 2012

Blues on a Saturday: Mose Allison Parchman Farm

Mose Allison was named a jazz master this week, so naturally I'm going to pick one of his great songs. Listen carefully all the way to the end. Mose stopped performing this live at some point. I've previously posted Allison songs here ("Your Mind is on Vacation" and here ("Ever Since the World Ended".


Monday, July 16, 2012

KItty Wells

It was reported today that Kitty Wells has died. Wells 1952 hit "It wasn't God Who Made Honky Tonk Angels" was the first song by a female to top the country music charts. Wells paved the way for later generations of women in country music: Patsy Cline, Loretta Lynn, Tammy Wynette, and many others owe her a debt of gratitude.  Her wikipedia entry reports that she is the sixth best selling female artists in country music.

There were women stars in country music before Wells--Maybelle Carter, Rose Maddox, and Patsy Montana come to mind,  but Wells was at another level and duration.    I fear some obits may not get this right.

Well's defining song "It Wasn't God Who Made Honky Tonk Angels" is the greatest answer song in American popular music. It outsold Hank Thompson's "The Wild Side of Life." For a while, Wells' song was banned by the Grand Ole Opry and radio stations. That fate doesn't seem to have befallen Thompson's disc.
 Here's "The Wild Side of Life" performed by Hank Thompson in a guitar shop, decades after the
western-swingish original
Both songs share a melody with Roy Acuff's 1939 "Great Speckled Bird" and the 1929 Carter Family's "I'm Thinking Tonight of My Blues Eyes.



There are at least two other country songs written to this tune: Reno & Smiley's “I'm Using My Bible for a Roadmap,” and Townes Van Zandt's “Heavenly Houseboat Blues.” Rock historian Nick Tosches say that the melody is an ancient British tune.

Saturday, July 14, 2012

The Obama Effect

Charles Dutton is one of our finest actors and he has now branched out to direct his first theatrical release "The Obama Effect."   It's debuting in AMC theaters across the country this weekend. There's not one near me, but if you have a chance to see it, I think it will be be  entertainment gamble worth taking.
Here's the description from the website

A serious health scare ignites John Thomas, an insurance salesman in his 50’s (played by writer/director Charles S. Dutton) to take a closer look at his life. Motivated by a misguided obsession with getting Barack Obama elected, John takes an overwhelming involvement in the Presidential campaign. While John becomes obsessed with the ideal of change that Obama represents for Americans, he has in turn neglected to create positive change in his own life, particularly with regard to his health and familial relationships.

Blues on a Saturday: Jimmy McGriff and Hank Crawford

Jimmy Mcgriff on organ and piano with Hank Crawford on alto sax, Bob Devos on guitar, and Jimmie Smith on drums. Performing the blues classic "Every Day I Have the Blues"

Saturday, July 07, 2012

Blues on a Saturday: Lonnie Mack, Albert Collins, and Roy Buchanon--Further on Down the Road

Andy Griffith's Great Performance

When Andy Griffith died this week, most commentators focused on his classic role as Sheriff Andy Taylor on the CBS series Andy Griffith Show or his later role as the avuncular lawyer Matlock.  Less known is Griffith's performance as Lonesome Rhodes in the 1957 Elia Kazan movie A Face in the Crowd, which was selected in 2008 for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

It's a great movie.  Interestingly, the trailer compares Griffith to Marlon Brando and James Dean.  

Monday, July 02, 2012

UN Take Over of Internet? :Congressman Mike Pompeo vs. New York Times

Mike Pompeo (R-KS4)


...there is an effort to manipulate the International Telecommunications Union—a treaty originally created in 1865 to address telegraph service—to provide the United Nations jurisdiction over the Internet.  The showdown over whether the UN will seize control will happen at the December 2012 World Conference on International Telecommunications (WCIT) in Dubai.
 Pompeo  boasts that he has written a House resolution opposing the UN takeover of the internet.

New York Times
Documents prepared for the December meeting, which leaked out last week — yes, on the Internet — show that there are no proposals to hand governance of the Net to the I.T.U. The union insists that it has no desire to play such a role. And even if some governments would like to give the agency increased regulatory powers, the United States and other like-minded countries could easily block them.

Saturday, June 30, 2012

Blues on a Saturday: Buddy Guy --two songs from 1969

Here is Buddy Guy in the UK 1969 with Jack Bruce of Cream on bass and Buddy Miles of Electric Flag and Jimi Hendrix on drums, along with some horn players, most likely from Colosseum or one of John Mayall's bands. They perform two tunes from Guy's classic "A Man and the Blues" album:"Mary Had a Little Lamb" and "My Time After a While." Pay special attention to Guy's use of dynamics.

Saturday, June 23, 2012

Blues on a Saturday: B.B. King Session

Okay, I've missed a few Saturdays, so I'll make it up with this full concert featuring B.B. King with guests Eric Clapton, Albert King, Stevie Ray Vaughn, Etta James and others.  Pay special attention to some great harmonica from Paul Butterfield.

Gems on the web

Coatesy Tendance on why the British SWP and other leftists are wrong to support the Egyptian Muslim Brotherhood.

Ralph Seliger reviews Peter Bienart's "The Crisis of Zionism" for the Partners for Progressive Israel blog.

Two interesting pieces by Bill Wienberg on World War 4 Report: Assange to Ecuador: three questions nobody (on the left) is asking and "Anti-war" movement betrays Syrian people


US Lefty blogs worth following

Corey Robin 

Debate Link

Smoke Filled Room  a collective blog by poltical science graduate students

Thursday, June 21, 2012

Is Democracy for Sale?

Talks at a June14, 2102 forum in Wichita on democracy and the Citizens United Supreme Court decision. (Order of talks was Hansen, Fox, Merrit, and Goseland.)

 Louis Goseland of Sunflower Community Action and KanVote.

Friends University Political Science Professor Russell Fox
 David Hansen, retired UCC pastor and director of Wichita Interfaith Worker Justice
Davis "Buzz Merrtit, retired Wichita Eagle editor and author of three books on journalismL "Public Journalism and Public Life," "The Two W's of Journalism", the latest being Knightfall: Knight Ridder and How the Erosion of Newspaper Journalism Is Putting Democracy at Risk

Friday, June 01, 2012

Best Concert Videos

Russell Fox selects his five favorite concert videos which he boldly terms the greatest ever.  Russell writes that he has been on a convert video binge and discusses some very worthy videos that didn't make his cut.

Here are Russell's picks: The Last Waltz, Rattle and Hum, Shine a Light, Stop Making Sense, and Woodstock.

I'm not prepared to put forward my five best, but there a few prime candidates that Russell missed.

Hail! Hail! Rock 'n' Roll 


 a 1987 documentary film directed by Taylor Hackford that chronicles two 1986 concerts celebrating rock and roll musician Chuck Berry's 60th birthday.  Interaction of  Chuck and Rolling Stone Keith
Richard is a real highlight of the movie.



 

 Jazz on a Summer's Day


Set at the 1958 Newport Jazz Festival in Rhode Island, and filmed and directed by noted commercial and fashion photographer Bert Stern and the film director Aram Avakian, who also edited the movie. The film features performances by Jimmy Giuffre, Thelonious Monk, Sonny Stitt, Anita O'Day, Dinah Washington, Gerry Mulligan, Chuck Berry, Louis Armstrong, Jack Teagarden, and others.


 Jazz 34

 When Robert Altman made his 1996 movie Kansas City, he did a Altmanesque creative move--he brought in 21 of the greatest young jazz musicians, recreated the ambiance of a KC jam session, and filmed them over several days. The result was several key scenes in the movie, two great CDs (soundtrack and KC After Dark) and the Jazz 34 video of the jam sessions.